Huang, Ying-Pu Homecoming Sculpture Exhibition – Hometown in Sunset

Time: 2024/11/23-12/11,

Location: Taichung City Dadun Cultural Center Exhibition Room I

The master sculptor Huang Ying-Pu, known for his dedication and artistry, is holding the Huang Ying-Pu Homecoming Sculpture Exhibition from now until December 11. The exhibition includes 29 sculptures, each inspired by a classic Taiwanese song. Through his exceptional skills, Huang breathes life into these nostalgic melodies, turning them into evocative sculptures that blend music and art in perfect harmony.

Huang’s sculptures capture the shared memories of the Taiwanese people—old-schooled tunes, the joy of running through the countryside during childhood, and a simple yet happy life. “I don’t intend to move anyone; I just wanted the pure and simple happiness of the past back into memories and dreams,” Huang Ying-Pu described his original intention of creation in this way. The collection draws inspiration from classic Taiwanese songs such as“Longing for the Spring Breeze,” “Rainy Night Flower,” and “A Rainy Night at the Port.” Each piece is like a poetic expression, narrating the joys and sorrows unique to Taiwan. The exhibition opens until December 11, features guided tours led by Huang himself, offering visitors a chance to experience his profound connection to Taiwan and the stories behind his art. For everyone who love this land, it’s a cultural feast not to be missed.

A Journey Beyond the Academy∣Lee Chen-Ming Solo Exhibition

Time:2024/12/14-114/1/1

Location: Taichung City Dadun Cultural Center Exhibition Room I

Lee Chen-Ming, a prominent figure in the Taipei and Taichung art communities, dedicated over ten years to teaching at universities in Taichung. In 2001, he returned to his alma mater, National Taiwan Normal University, where he spent 20 years exploring and teaching modern and contemporary ink painting. He has spearheaded a new wave of thought in Taiwanese ink painting, breaking free from the constraints of traditional literati painting. Through his “Post-Literati Painting” course explore the possibility of a new kind of otherness in ink painting. Lee Chen-Ming has guided a group of emerging artists through creative explorations across the Taiwan Strait, including research in northern Shaanxi's cave dwellings, sketching journeys across the Five Great Mountains in China, and engaging in a Korean paper art workshop. He has also curated the Micro Art Fair and the Taipei International Ink Painting Exhibition and Symposium, which he organized twice. During his time as Executive Director (now Vice Dean) of the Taiwan Academy of Fine Arts, Lee championed a series of influential art initiatives. Additionally, Lee has never wavered in his personal artistic pursuits. His works reflect a delicate balance of energetic motion and tranquil harmony, offering a fresh dialectical perspective on contemporary ink painting.